The Cannonball Adderley Quintet Why Am I Treated So Bad CapitolUSAT-2617May 1967Mono LP0 The Cannonball Adderley Quintet Accent On Africa CapitolUSAST 29871968LP07.9$20 The Cannonball Adderley Quintet Accent On Africa CapitolUSAST8-29871968LP1 ...
An alto heavyweight who worked with everybody from Miles Davis (on his landmark Kind of Blue) to Yusef Lateef, George Duke, Bill Evans, Sarah Vaughan, and Oscar Peterson, Cannonball Adderley was a jazz giant who released countless albums between 1955 and 1975. Recorded in 1962 at the he...
Waltz For Debby (Know What I Mean?) (Remastered) - Cannonball Adderley / Bill Evans Autumn Leaves Somethin' Else - Cannonball Adderley You'd Be so Nice to Come Home To The Complete Albums Collection: 1955-1958 - Cannonball Adderley This Here African Waltz - Cannonball Adderley...
An alto heavyweight who worked with everybody from Miles Davis (on his landmark Kind of Blue) to Yusef Lateef, George Duke, Bill Evans, Sarah Vaughan, and Oscar Peterson, Cannonball Adderley was a jazz giant who released countless albums between 1955 and 1975. Recorded in 1962 at the heigh...
Dancing in the Dark Somethin' Else - Cannonball Adderley Elsa (Remastered) Waltz For Debby (Know What I Mean?) (Remastered) - Cannonball Adderley / Bill Evans Autumn Leaves Somethin' Else - Cannonball Adderley You'd Be so Nice to Come Home To The Complete Albums Collection: 1955-1958 -...
The girl was Nancy Wilson, and the young man with the horn was Julian "Cannonball" Adderley. Their chance meeting that night will always be well-remembered by both of them. "Nancy did some tunes with the band that night," Cannonball reflects, "unrehearsed, off-the-top-of-the-head stuf...
除了阵容之外,唱片中的编曲创意才是欣赏的重点,超越了硬咆哮的视野而扎实的展现出爵士乐之美,堪称是Adderley生平最优秀的一张专辑——很多评论家和爵士乐迷认为这是爵士音乐史上最伟大的专辑之一。(Many critics and jazz fans consider Somethin' Else to be among the greatest jazz albums of all time)本专辑...
Miles Davis spotted Adderley and hired him to play on groundbreaking Davis albums “Milestones” and “Kind of Blue.” Adderley would have a successful career and gained crossover success with his 1958 “Somethin’ Else” album and his 1966 “Mercy, Mercy, Mercy! Live at...
of both men. Playing in Davis’s sextet alongside saxophonelegendJohn Coltrane, Adderley favoured a busy style that contrasted well with Davis’s spare understatement. Adderley was prominently featured on Davis’s albumsMilestones(1958) andKind of Blue(1959), both consideredbenchmarksof 1950s hard...
Adderley achieved immortality in the Miles Davis Quintet withKind of Blue- and hisSomething Elseis possibly the best of the Blue Note albums. That was the late 1950s. Ten years later Adderley was touring Europe with his own quintet and gave a performance at Stuttgart's Liederhalle. Even duri...