又称为 C#m7, C#min7, C#-7 English:C# Minor 7th Banjo Chord 用第一根手指覆盖从第一琴弦到第四琴弦在第九品格上 你的第三根手指放在第四琴弦的第十一品格上 C#小7和弦班卓琴和弦中的音符 根音: 升C 小3和弦: E 五度: 升G 属7和弦: B
English:C# Minor 7th Mandolin Chord 你的第一根手指放在第四琴弦的第四品格上 你的第二根手指放在第二琴弦的第四品格上 你的第四根手指放在第三琴弦的第六品格上 第一弦是开放的 C#小7和弦曼陀林和弦中的音符 根音: 升C 小3和弦: E 五度: 升G ...
七和弦(Seventh chord)就是在三和弦基础上又加上了七音(seventh)。以C大调为例,C上的七和弦就是由第1,3,5,7个白键音或CEGB组成的和弦。同样,C大调的每级都可以建立七和弦,如下图所示,不过也就钢琴吉他会经常堆砌这么多音,大多时候只要有关键的七音,其他音是能省则省。 下面是C大调相应七和弦的符号: C...
The C#7 (or C Sharp Seventh) chord has a brash, bright-yet-heavy sound. The chord itself contains three sharps and its seventh note adds a layer of intrigue. When played together, it has a punchy, clanging tone that conveys a sense of urgency. When played as anarpeggio- breaking down...
The C#m chord (sometimes written as “C sharp minor” or “C# minor) is a versatile chord that can sound either happy or sad. In this lesson, we’ll show you three different ways to play this chord, as well as some songs that use the C#m chord that you can try your hand at you...
In the context of another progression: C/E - A7 - Dmin7 - G7, I would say that the C/E sounds very much like a I chord (CMaj). I suspect that this slipperiness is the reason that 1st inversion triads don't show up in beginner method books more frequently;...
Songs with this chord Bm(maj7) B minor, major seventh Whole NoteB rootWhole NoteD b3rdSharp NoteF# 5thSharp NoteA# 7th x11324Barre 5 with Finger 1F#BDA#F# 6frxx1324A#F#DB 7fr111123Barre 6 with Finger 1BF#DBA#F# 9frxx1243BDA#F# ...
C sharp C shell C size C SPEC C spine C spring C stage C substance C Suite C terminus C to C C U next Tuesday C value C value C value paradox c wave C wave C with Classes C YA L8R C# C# C$ C&A C&AG C&B C&BA C&BFC C&Btr C&C C&C SWBD C&C TFD C&C TS C&CBS C...
Symphony No. 5 in C-Sharp Minor, symphony by Gustav Mahler. Premiering October 18, 1904, in Cologne, the work’s ultimately optimistic colors may have been influenced by the composer’s marriage in 1902 to artistically gifted Alma Schindler. Its gentle f
If this is an extension of my comment here, that you add the sharp when the melody note is "raised," maybe I need to expand. It's not so much because of the melody, as because the melody is "stretching" the underlying chord. The proposed circle-of-fifths ...