Ain't a damn one know how to do the dougieA(You don't do the dougie?) No, not in KentuckyDBut these girls 'round here yep, they still love meAYea, the girls 'round here, they all deserve a whistleDShakin' that sugar, sweet as Dixie crystalAThey like that y'all and southern dra...
Lyrics here perfectly match the urgency of the music, from the valiant riot-inducing urgency of songs like Beastie Boys ("B-E-A-S-T-I-E/cops just don't have respect for me/world is filled with tyranny/all across the stormy sea/B-E-A-S-T-I-E/B-E-A-S-T-I-E/who the hell ...
It turns out that this is a case of guitarist C.C. DeVille creating a nonsense phrase that worked phonetically with Bret Michaels’ lyrics and the band liking it so well they just kept the placeholder. The song certainly has some “bop” thanks to Bobby Dall’s prominent bass line. The ...
It’s been suggested that he couldn’t live with Van Dyke’s lyrics. “That’s possible. So he should have tried somebody else. Not just stop there. He stopped there. He should have tried 50 people. If I could write melodies and chords like Brian Wilson, I’d take those fucking song...
drums kick in. At this point, the song is super good. Then that fucking melody comes in and holy shit it becomes one of the most gorgeous songs ever. So simple and restrained, but each note chosen is perfect. This is the kind of interplay betwee...
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It’s been suggested that he couldn’t live with Van Dyke’s lyrics. “That’s possible. So he should have tried somebody else. Not just stop there. He stopped there. He should have tried 50 people. If I could write melodies and chords like Brian Wilson, I’d take those fucking song...