The discussion delineates peculiarities in defining high-budget movies in the Australian context, and attempts to understand how high-budget movies are currently discussed in literature on Australian-international cinema. The chapter then examines high-budget Australian movies released between 2000 and ...
Fall Movies Shake off Blockbuster Obsession, Set Sights on OscarFall is traditionally a transition time for movies, with thesummer blockbuster-hangover...By MachoskyMichael
Spiderman: the return of heroes is different from previous superhero films. It tells the story of a 15 year old boy growing up from a common teenager to a superhero in a unique perspective. Many movie critics say: "superhero movies have seen a lot, but have not seen a 15 year old supe...
Spielberg, Fandom, and the Popular Appeal of His Blockbuster Moviesdoi:10.1002/9781118726747.ch25adventure filmblockbuster moviescontemporary Hollywoodfandomfilm fanJawsJurassic Parkmodern movie marketingscience fictionSpielberg's brand identityLincoln Geraghty...
Summary This chapter examines Steven Spielberg's role as film fan in the development and promotion of his blockbuster movies. From Jaws to Jurassic Park , Indiana Jones to The ExtraTerrestrial , Spielberg has taken advantage of marketing and product placement to not only sell his films but also...
The chapter examines the negotiated transnational space of genre between Hollywood and China by looking at the recent military movies Wolf Warrior II (Wu Jing, 2017) and Operation Red Sea (Dante Lam, 2018). These films operate within the discursive landscape of contemporary and historical genre ...
A company that makes $70,000 cameras for filming blockbuster movies is making a $1,200 smartphoneAntonio VillasBoas