[D]Her eyes they shone like the diamond You'd think she was queen of the [A]land And her [D]hair hung over her [G]shoulder Tied [D]up with a [A]black velvet [D]band Background A song about the exportation of convicts to Van Dieman's Land in Tasmania. Black Velvet Band Video...
Under the guiding hand of famed producer Martin Birch, Iommi’s rekindled inspiration in partnership with Ronnie’s evocative lyrics birthed a slew of amazing new songs in “Neon Nights,”“Die Young,”“Lonely is the World,” and the incredible title track – making Black Sabbath relevant agai...
Lyrics/Chord Library for Musicians This Prompt lets musicians create a chord sheet for immediate usage for any popular song. It is tailored specifically for singer/songwriters or cover enthusiasts who are playing guitar (Tuning is indicated) to accompany their singing. Chords are univ SocialScriptsGP...
This was the era in which Greg started to realize that there were actually other ways to play the guitar besides just thrashing out barre chords really fast (not that there's anything wrong with thrashing out barre chords really fast; it's pretty much all I do!). I'd buy it if I ...
(in fact it just sounded stupid), but it was hilarious fun nevertheless. And then something else happened: Makana, a recent friend from Hawaii who had come along with slinky Jonathan, said he wrote songs and lyrics, and wondered if I could try and put down some chords and music for ...
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"I just gave up on it." He'd later maintain in interviews that subsequent re-editing and shuffling of songs had been done without his consent, ruining the project. Late-period member Doug Yule ended up playing a much more prominent role. "It's still called a Velvet Underground record,"...
It's in the artwork. It's in the beautiful voice of Sara Anne Eugene, and it's in the dark chords of the band's fuzzed out synth lines. The cello included on "I Know Of You" makes the song all the more elegant, with the subtle clicking track in the background. I like the ...
the timbre of the amps would change according to the chords being played. So, while the guitars were each recorded with either a couple of Neumann U67 microphones or a U67 and U87 — sometimes cardioid, sometimes figure of eight, sometimes omni, placed on different speakers of the cabinet ...