endlessly listenable style with a seemingly bottomless well of recorded gigs, you get a reissue cottage industry boosted further by the vinyl revival. every record store day seems to bring a new evans release or two. the latest of these, treasures , is a collection of previously ...
For those wondering how this new Craft Recordings edition ofEverybody Digs Bill Evansstacks up to my early 1960s Riverside Records pressing, it has done really well. It is arguably better as the vinyl is qui...
In 1962, Evans cut “My Funny Valentine” forUndercurrents, his first album with guitarist Jim Hall. Some give the piece a languid treatment, but Evans and Hall find joy in a rhythmic give-and-take, where one player will present a phrase as a question that the other answers. “Stella by...
The Montreux Concertis widely considered one of Evans' best albums; some place it just behind his wondrous back-to-back 1961 sessions,Waltz for DebbyandSunday Afternoon at the Village Vanguard. I would putAnother Timeon the same level asMontreux, and the sound quality is nearly as good. The...
This item not eligible for any further discount offers! All Of Bill Evans' 200g Vinyl Riverside Releases Cut at 45 RPM PLUS The Cannonball Adderley Know What I Mean? Release For Which Evans Was Such An Important Contributor. Of everything Analogue Productions has reissued, nothing has com...
from Evans—ever so lightly blued, through and through. Even on Evans' "Waltz for Debby," whose lyrics don't quite rise to the heights of the other standards here, Bennett's tender shadings and dramatic inflections help convey the gentle, unconditional affections of a grown man for an ado...