Crusius’ “determining ground of the will” is his way to do justice to two aspects of our ethical experience: 1) that we have to be choosing freely if we are to be in any way responsible for our own choices, and 2) that we have an idea of what we are doing when we choose wit...
What’s more, some similar points in culture are resulted from the reciprocal learning and affection in the course of communication between the two countries. For example, the Chinese idiom ‘以眼还眼,以牙还牙’ was borrowed from the English idiom, while the English idioms ‘to lose one’s face...
“As It Should Be” is the first of two pieces by Lovano (the second being “For The Love Of Paul”). It also opens the curtain with a swell of patient beauty as only ECM could render. The atmosphere is rich, far-reaching, yet always firm in its immediacy. Bro’s guitar architects...
from paying the bills to daily maintenance, but the learning curve is steep and always there. This weekend I though I would tackle two little tasks that had been on my mind, but not gotten done. I needed to attach clips
each a reflection of the other from night to day and back again. Likewise, every tongue has a sharp side and a dull side, and in her vacillation between the two, Nguyen plants her feet firmly in the squish of their overlap. Shooting down every word traversing that slick surface before ...
His scale used the freezing and boiling points of water as the two key markers and put 100 degrees between the two temperatures. Unlike today, however, in Celsius's original scale, water's boiling point was 0 and the freezing point 100. In the years after his death in 1744, the numberin...
Persistent neuronal spiking has long been considered the mechanism underlying working memory, but recent proposals argue for alternative ‘activity-silent’ substrates. Using monkey and human electrophysiology data, we show here that attractor dynamics t
Alex Raineri’s piano or the regularly sustained phrases of Katherine Philp’s cello, Gyger generates an intricate and quiet sonic landscape which allows any instrument to enter the fray and be impactful, creating friction against the arrangement. The composition’s light ending with two piccolos ...
” Despite hailing from 1973’sTrios/Soloswith Glen Moore, the expansiveness of this version points more towardSolsticefrom two years later. The Bill Evans/Miles Davis classic “Blue in Green” (which has appeared on two of Towner’s albums) glows in Luley’s fireside recreation. His ...
I got to work early today. Like every work day for the last 30 years. I gave a moment to the sunrise; like every day. Same sun, same sky, same time, same same. All that familiarity but with a nod to the obvious; with an infinity of variables, including me, no two sunrises are...