The 100 Best Songs of 2020 The tracks that defined this bizarre year, featuring Megan Thee Stallion, the Weeknd, Christine and the Queens, Noname, Waxahatchee, and more By PitchforkDecember 7, 2020 Grimes, Megan Thee Stallion, the Weeknd, Noname, and Christine and the Queens. Graphic by Dr...
Now that we’re stuck at home, there’s never been a better time to give K-pop a listen. Here are 12 of the best recent songs from the genre, as part of our weekly “Music at Home”playlistseries. Even if you don’t quite understand the words, these tracks rip and roar with an...
From the blissfully ignorant months before the pandemic to Brat Summer, here are the songs that moved culture, coined genres, and are still stuck in our heads.
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Smooth, buttery sonic landscapes fronted by hushed, high-pitched and hopeful vocals. My year-long tally of “hits” that struck a chord featured five songs from Westerman — the most of any other artist in 2020. This is the music that soothed savage souls. ...
From Phoebe Bridgers to Sufjan Stevens, from Gaga to Shaybo, we reveal Best Fit's favourite songs of 2020.
along with the all-star rhythm section of Duff McKagan and Chad Smith, and then recorded 11 songs in just one month. There's no new ground broken here, but it's an enjoyable display of Osbourne's strengths, including a heavier dose of Black Sabbath than you might expect from his solo...
along with the all-star rhythm section of Duff McKagan and Chad Smith, and then recorded 11 songs in just one month. There's no new ground broken here, but it's an enjoyable display of Osbourne's strengths, including a heavier dose of Black Sabbath than you might expect from his solo...
along with the all-star rhythm section of Duff McKagan and Chad Smith, and then recorded 11 songs in just one month. There's no new ground broken here, but it's an enjoyable display of Osbourne's strengths, including a heavier dose of Black Sabbath than you might expect from his solo...
When we checked in on the best songs of 2020last June, the charts (and radio in particular) were dominated by The Weeknd’sAfter Hoursand Dua Lipa’sFuture Nostalgia —the two big pop albums that weren’t afraid to go large with their ambitions, even at the lowest, scariest point of ...