Frequent Haynes cinematographer Edward Lachman composes some gorgeous shots, offering far more beauty than the mere workman-like competence required by the genre. Ruffalo leads a cast of talented actors, including Anne Hathaway, Tim Robbins, Bill Pullman, Bill Camp, and Victor Garber. Related ...
It was directed by pink-film veteran Shinji Imaoka, shot by famed cinematographer Christopher Doyle and offers music by Germany’s Stereo Total. Underwater Love was shot in 5 ½ days, one take only. Released: 2011 Directed by: Shinji Imaoka 105 The Happiest Day in the Life of Olli Maki...
Like the second film, it was directed by Bradford May, a television director and cinematographer who also served as the director of photography. Series creator Sam Raimi serves as an executive producer. Released: 1996 Directed by: Bradford May 51 The Hebrew Hammer Adam Goldberg, Judy Greer, ...
Many horror films from the 2000s are so eager to splatter and slice their way into our hearts that they end up covering their canvases in bloody clichés. Not so with Sam Raimi’s masterfully paced throwback, which is smart enough to withhold its more disturbing visceral elements until the ...
(1996) who was on the comeback trail following the 2000 dudThe Beach,28 Days Laterroared with a singular intensity. The cinematography, all naturalistic and gritty, brought Lars von Trier and Thomas Vinterberg's "Dogme 95" aesthetic into horror (credit Boyle's cinematographer Anthony Dod ...
Only rice. It all culminates in a battle offering Kurosawa and his cinematographer, Asakazu Nakai, an opportunity to flaunt their action skills, widely hailed as innovative and brilliant for the time. A blueprint for subsequent cinema, Kurosawa’s Japanese epic paved the way for iconic films ...
The Hauntingis a classic horror film about a classic type of horror story: a haunted house. You won't find any cheap jump scares or acts of violence in this 1963 film, though. Instead, director Robert Wise and cinematographer Davis Boulton use a mix of innovative visual techniques and camer...
cinematographer Julie Kirkwood—who takes Steven Spielberg’s “less is more” approach in framing the monster—and second, there is the headlong dive into the unpleasant by Zoe Kazan. Playing a young mother who has little interest in her daughter or her well-being, Kazan’s Cathy reveals in...
“The British are coming,” trumpetedChariots Of Firescreenwriter Colin Welland infamously at the 1982 Oscars. In truth “the British” were already there. They’d been making movies for over a century, with plenty of stick-on masterpieces in that number. Comedies, dramas, war films, horror....
Overgrown urbanism and frenzied action are shot with the same eye for majestic desolation, with cinematographer Simon Dennis capturing every detail. Perhaps the disorder is all part of a necessary transition, as Melanie begins to consider. Considering McCarthy would go on to direct an episode ofBla...