THE BEATLES IN STEREOBEATLES Peak: 24, Weeks: 1 19 Sep 2009 THE BEATLES IN MONOBEATLES Peak: 57, Weeks: 1 04 Dec 2010 1962-1966/1967-1970BEATLES Peak: 33, Weeks: 6 04 Aug 2012 TOMORROW NEVER KNOWSBEATLES Peak: 44, Weeks: 1 23 Nov 2013 ON AIR - LIVE AT THE BBC - VOL ...
We get deep into audiophile things, talking about where the instruments are panned in terms of "left" vs "right" and the what the previous versions of this album were like (mono vs stereo), and what the difference is between "remastered" and "remixed." ...
TheWings‘Maybe I’m Amazed’ (recorded live) was a replica of a 12″ originally sent as a radio-only promotional single back in 1976 ahead of the release ofWings Over America. It has mono and stereo versions of the song in two durations. This time around it served as a promo for wh...
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It’s the most lush-sounding and intricately-crafted album of their career. This was a rarity in that it was recorded only in stereo (any monaural versions are not true and separate mono mixes like their previous works, but fold-downs of the final stereo mix), and on an eight-track ...
The album was remixed by producer Giles Martin and engineer Sam Okell in stereo, 5.1 surround DTS, and Dolby Atmos. Let It Be 于 2021 年 10 月 15 日以多种格式重新发行,并扩展了曲目列表,包括一些以前未发行的花絮。这张专辑由制作人 Giles Martin 和工程师 Sam Okell 以立体声、5.1 环绕声 ...
This “say no more” license was repeated again with the advent of theWhite Album. As The Beatles’ ninth LP, it was officially released in 1968 as “The Beatles.” But fans quickly identified the record according to the look of the white jacket instead, withoutneedfor “the” band name...
Until The BeatlesLovesoundtrack album in 2006, the group's songs stood pretty much as they were recorded and mixed between1962 and 1970. There had been original LP releases—both EMI's "official" mono and stereo versions and Capitol's USA mono and stereo versions. The first CD releases, ...
Yes, its essentially five – speaker Mono, but the sound fills up the room nicely with tasteful reverb ambiance mostly filling up the rear surround channels. As an start-to-finish listen, this approach makes for a smooth transition to the later stereo-centric and more discreet 5.1 recor...
“It’s much bigger-sounding — eight tracks, a transistor desk. It’s the only Beatles album that was recorded in stereo — there’s no mono version.” Giles Martin points out a sonic detail that jumps out from the new mix of “Something”: you can hear Paul play the high-hats in...