To do that, we started from the ground-up. From the filter engine, modeling shapes, and the modulation system, getting everything to sound right even at the extremes, while keeping the CPU cycles in check so you don't have to think twice about loading it, to usability, putting everythin...
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IEEE Std 1722-2011 defines a ‘native’ Layer 2 transport protocol called AVTP (Audio Video Transport Protocol). The ‘Audio’ part of AVTP is actually an AVB-specific adaptation of an existing open standard that many readers may recognise. Though long since standardised as AM824 (in IEC 61...
highest frequencies, you should understand that the human ear is known to be quite non-linear at those frequency extremes. So, at most reasonable volumes, it will sound like the bass and highs are rolling off, even if they're not. Fourth, even if you are using a microphone or sound ...
The tonal balance of the device is set so as not to add too much or subtract too much, which would confirm the comments from the manufacturer's press release. It is not exactly so, because the both extremes of the band are slightly favored, but this is not clear and with little effort...
In terms of soundstage, the Free Pro has an expansive soundstage that can extend a bit beyond my head. However, images within the soundstage can only be heard in the extremes. Where there are images that can be formed further away from my head, or in my head alone, there’s not much...
Extremes are nearly as robust as a Netgear GS108 or Cisco SG-200-26. Apple claims the Extremes have a four port switch, but Apple was unwilling to confirm this in writing or verbally when I asked if it's a true switch or simply a hub. The AirPort Express is configured as a separate...
The solution found by the DAC designers of the 1980s and 1990s was to move that out-of-band noise up in frequency such that it could be more efficiently rejected by the filter. If you remember CD players years ago boasting “oversampling”, “Bitstream”, or “1-bit DAC”, these refer...
we found that moderate levels of speech rate, loudness, pitch, and emotional arousal significantly enhanced crowdfunding success, whereas extremes in these vocal characteristics had a detrimental effect. Our findings not only extend the application of audio analysis in the crowdfunding domain, but also...