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Soon after exhibiting at the first Group of Seven show, however, Johnston departed to become take an administrative position at the Winnipeg School of Art. In the late 1920s, he changed his name from Frank to Franz. Over the years, Johnston's work shifted from a decorative depiction of ...
After the Dunlop Art Gallery (Regina Saskatchewan) earlier this month, I took one of the three panels started in theStitch in Timeexhibit with me to Winnipeg Manitoba. I left it with my sister, Joan Baker, who took it with her to work where students visiting the Niakwa Place School Librar...
After the Dunlop Art Gallery (Regina Saskatchewan) earlier this month, I took one of the three panels started in theStitch in Timeexhibit with me to Winnipeg Manitoba. I left it with my sister, Joan Baker, who took it with her to work where students visiting the Niakwa Place School Librar...
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The main one is Kangirsukutaa (or Korok Inlet) which supplies the majority of stone to the WBEC. The stone from that site is serpentine and serpentine peridotite. Its colours vary from dark green to bluish green and include all the colours in between. Marble and serpentinized calc-silicate...
The room contains tables and chairs and the back wall is storage for a variety of art supplies. Photo by Christine Guest, Musée des Beaux-Arts de Montréal. Stephen: An Art Hive, or an open studio, I feel is a really positive, low-cost response to a diversity of needs. We know ...
Textiles are also incorporated into their sculptures along with fabric paint, polymer clay, and pipe cleaners in a commentary on the societal tendency to view these materials as craft supplies. By subverting the intended use of their materials, Calderwood blurs the line between the binary of art...
The way the land is treated still impacts Indigenous peoples and affects their access to art supplies today. Karonhianonha Mikayla Francis notes that pottery makers in her area can no longer use their local clay due to toxicity in the water. Instead they have to purchase clay from elsewhere....
The boxes in the LAC collection appear to be of a similar style. Even after European supplies became more readily available, local materials continued to be used for the souvenir appeal. Both First Nations and nuns likely made these types of boxes for the tourism industry, hence the confusion...