左:Entrance of the Paris metro station Abbesses. 右:Stairway of Tassel House, Brussels. 上面两件作品重点体现了Art Nouveau对于各种不同领域的艺术影响。左侧为著名的巴黎地铁入口的设计,右侧为布鲁塞尔的一处酒店的楼梯设计。在两件作品中都可以看到线条在“新艺术”风格中的重要性。 室内装饰方面,“新艺术运动...
of which 250 are protected built heritage. 2023 marks the 130th anniversary of the emergence of Art Nouveau. That is why 2023 was designated as the first Year of Art Nouveau in Brussels. To celebrate this occurrence, the Be...
^吉玛是巴黎最具代表性的新艺术运动建筑师,他在1895年前往比利时旅行时,被霍塔的塔塞尔公馆和霍塔本人深深吸引,这直接导致其设计风格的“新艺术运动”转向。他最著名的作品是巴黎地铁口的入口,他一共设计了167 个入口,其中 66 个至今依然存在。参见:Fahr-Becker, Gabriele (2015). L'Art Nouveau (in French). ...
Art Nouveau 1.(c. 1890–1915) A development of the Arts and Crafts movement, with two main strands: one of fluid symmetry and flowing linear rhythms, one of geometrical austerity. 2.A dominant style of decoration and of avant-garde design in Europe from the 1880s to World War I. Called...
Alec ForshawAlan Ainsworth
Staircase in the Hôtel Tassel, Brussels, designed by Victor Horta in the Art Nouveau style, 1892–93. Art Nouveau, ornamental style of art that flourished between about 1890 and 1910 throughout Europe and the United States. Art Nouveau is characterized by its use of a long, sinuous, organ...
新艺术运动 ( Art Nouveau 1895—1910)ArtNouveau1895—1910 新艺术运动是发生在19世纪末20世纪初艺术和设计领域的重要事件，波及整个欧洲和美国，内容涉及几乎所有的艺术领域。新艺术拒绝历史主义和折衷主义装饰，同时积极使用铁这类现代材料，并创造了各种美的形式；它是唯美是求的，因此没有伦理上的考虑...
"Victor Horta's Tassel House" in Brussels: Designed by Victor Horta, a renowned Belgian architect, the Tassel House is often considered the first true Art Nouveau building. Constructed in 1893, it exhibits Horta's innovative use of iron and glass, organic motifs, and the integration of art ...
The jewelers of Paris and Brussels defined Art Nouveau in jewelry, and in these cities it achieved the most renown.Contemporary French critics were united in acknowledging that jewelry was undergoing a radical transformation, and that the French designer-jeweler-glassmaker René Lalique was popularizing...
Not only nouveau but also vieux: David Platzer applauds the Royal Museums in Brussels for placing art nouveau in context in its ambitious survey of Belgian decorative arts In On Burning Mirrors, 1992, a fluid design that seems half art-nouveau and half Mayan is superimposed on a gray and ...