(2017). The art of self-making: identity and citizenship education in late-modernity. British Journal of Sociology of Education: Vol. 38, No. 6, pp. 798-811. doi: 10.1080/01425692.2016.1182006doi:10.1080/01425692.2016.1182006GholamiReza
First, we explore theory salient to our topic of selfie taking, finding selfies to be an important way to construct ongoing series of narratives about the self. We use concepts of identity work, dramaturgy, and impression management to understand it in this light. We relate embodiment within ...
This essay first discusses the distinction established by art critics between the classical nude and the more radical naked, the latter exemplified by the work of Manet and Courbet. It then looks at the shifting boundary between art and pornography, and
(2015). Identity formation: Art therapy and an adolescent's search for self and belonging. Art Therapy: Journal of the American Art Therapy Association, 32, 130 -135. http://dx.doi.org/10.1080/07421656 .2015.1061257Parisian, K. (2015). Identity formation: Art therapy and an adolescent's ...
Edit Alternative name Art Shrian Self-verified on IMDbPro Gender / Gender identity Male Edit Nicknames RT Arty Contribute to this page Suggest an edit or add missing content Learn more about contributing
Identity awareness through an art practice: Expanding the definition of a self-portrait 来自 Semantic Scholar 喜欢 0 阅读量: 4 作者: K Aarre 年份: 2018 收藏 引用 批量引用 报错 分享 全部来源 求助全文 Semantic Scholar 相似文献Special Issue: Aesthetics in Drama and Theatre Education || Setting ...
Exploring the blurred lines between reality, the digital world, and the two-dimensional to question transformation and identity.” TOPICS Art Tanya Combrinck Tanya is a writer covering art, design, and visual effects. She has 16 years of experience as a magazine journalist and has written for...
Possibly a self-portrait from his time in Arles, this 1888 oil painting by Vincent van Gogh showcases the technique for which he is best-known: heavy use of impasto - fat daubs of paint that are almost sculptural. It is thought to have been accidentally destroyed by an errant Allied ...
This study investigates the relationship between the history of self-portraiture in German art and the historical question of a collective identity. I propose that the turn to the image of the self demonstrates a narcissistic position in which the subject attempts a transformation of its selfobjects...
In this painting, the goddess does not hold her cus- tomary hand mirror; the subtlety and comparative gentility of self-reflection is discarded in favour of a powerful, resur- gent Truth who accuses and rebukes. Her nudity betrays her identity—the naked form is honest, if anything—but ...