阿彼察邦·韦拉斯哈古 Apichatpong Weerasethakul去修改 增改资料和作品 性别: 男 出生日期: 1970年7月16日 出生地: 泰国,曼谷 更多中文名: 阿比察邦·韦拉斯花古 / 阿比查邦·委拉斯塔库 / 阿彼察邦·韦拉斯哈古 / 阿比查邦·魏拉希沙可(台) / 阿披乍蓬·威拉社塔恭 更多外文名: อภิชาต...
New York, USA (2011);Apichatpong Weerasethakul: For Tomorrow For Tonight, UCCA, Beijing (2011), etc. 一年之际 – 第四章节,阿彼察邦·韦拉斯哈古,陆垒 First Spring - Chapter 4, Apichatpong Weerasethakul, LU Lei
APICHATPONG WEERASETHAKUL 阿彼察邦·韦拉斯哈古 关于爱,关于光 2022 艺术微喷 106(H)*159cm Edition of 5 AW_9815 当前和未来的展览:火之环, Matabe 屋,直岛,日本, 06.21, 2024 - 12.31, 2025 日常实践, 新加坡美术馆,新加坡, 08.30, 2024 - 07.20, 2025 ...
阿彼察邦·韦拉斯哈古 Apichatpong Weerasethakul 主演: 金吉拉·潘帕斯 Jenjira Pongpas For Bruce (2022) [ 导演 ] 导演: 阿彼察邦·韦拉斯哈古 Apichatpong Weerasethakul 夜间集落 (2021) [ 导演 ] 导演: 阿彼察邦·韦拉斯哈古 Apichatpong Weerasethakul 8.0 / 617人评价 记忆 (2021) [ 导演 / 编剧 ] 导...
Apichatpong Weerasethakul的与众不同,是因为他可以有效的避开后殖民时代中最广泛流行的疫征:异国情调。使得即使是第一世界的观众,亦不会像观赏风光明信片般地满怀好奇心看这些来自第三世界的画面。这是他在电影中冒险行为的成果,也是他的电影观念——如果我们已经有了一种主流电影观念作为参照物,比如Camp或者暴力美学,...
Apichatpong Weerasethakul Share Profile Artist Apichatpong Weerasethakul is an independent film director, screenwriter, and film producer –he founded Kick the Machine in 1999–, who presents his productions both in cinema circuits and contemporary art scene. The main themes he reflects include dreams...
Apichatpong "Joe" Weerasethakul ( born July 16, 1970) is a Thai independent film director, screenwriter, and film producer. His feature films include Uncle Boonmee Who Can Recall His Past Lives, winner of the prestigious 2010 Cannes Film Festival Palme d'Or prize; Tropical Malady, which won ...
Apichatpong Weerasethakul, Thai film director, writer, and installation artist whose preference for unconventional storytelling usually relegated his work to the art house. Nevertheless, his style also has been described as joyful, spontaneous, playful,
APICHATPONG WEERASETHAKUL 阿彼察邦·韦拉斯哈古 b. 1970, 工作和生活在 清迈, 泰国主页 主要作品 可售作品 简历 相关文字 媒体报道 电子册页 出版物 其他链接 基本资料 1970 1970年7月16日出生于泰国曼谷 1994 1994年开始制作电影和视频短片 1999 “开机”电影公司成立 ...
Apichatpong Weerasethakul is best known for his penchant for dividing films into two halves. A good example is that of Tropical Malady, in which the narrative of a stormy romance is suddenly interrupted by plunging us into a nightmarish jungle. He has employed a similar structure since his f...