Andrei Tarkovsky’s seeking and poetic cinema struggled to break bonds, or come to terms, with oppression. The specter of a haunted childhood, the spiritual bondage of a rigid God, the censorship of a totalitarian regime, or a mankind ready to destroy the world sat heavy in Tarkovsky’s nar...
安德烈·塔科夫斯基 Andrei Tarkovsky 主演: 纳塔莉亚·邦达尔丘克 Natalya Bondarchuk / 多纳塔斯•巴尼奥尼斯 Donatas... 8.7/42900人评价 告别塔可夫斯基(2000)[ 演员 - 自己 ] 导演: 克利斯·马克 Chris Marker 主演: 安德烈·塔科夫斯基 Andrei Tarkovsky / 亚历山德拉·斯图尔特 Alexandra Ste... ...
If you, as a filmgoer, have anything in common with me — and if you happen to live in Los Angeles as well — you've spent the past few weeks excited about the Andrei Tarkovsky double-bill coming up at the Quentin Tarantino-owned New Beverly Cinema. Open
Tarkovsky’s film career in the Soviet Union yielded seven features, all considered masterpieces by most, including “Ivan’s Childhood,”“Andrei Rublev,”“Solaris,”“The Mirror,”“Stalker,”“Nostalghia,” and “The Sacrifice.” Tarkovsky died in 1986. Hype Film previously repped Kirill S...
Andrei Tarkovsky 作者:Robert Bird 出版社:Reaktion Books 副标题:Elements of Cinema 出版年:2008-04-15 页数:256 定价:USD 25.00 装帧:Paperback ISBN:9781861893420 豆瓣评分 评价人数不足 评价: 写笔记 写书评 加入购书单 分享到 推荐 作者简介· ··· ★作者...
Andrei Tarkovsky's cinematic signature bespeaks of a metaphysical dimension which is inseparable of an unwavering dialogue between poetic word and image. In three of his movies--Mirror (1975), Stalker (1979) and Nostalghia (1983)---the Russian director helps to build this dimension with the ins...
Solaris (1972), directed by Andrei Tarkovsky, starring Natalya Bondarchuk, Donatas Banionis, Jüri Järvet, Vladislav Dvorzhetsky
combined with language difficulties. The important thing to him became choosing the correct types of people, with a particular kind of look, and to see to it that they had the right way of expressing themselves. Close-ups are also strikingly rare in Tarkovskij's movies. He preferred to see...
Petrie references an entry from Tarkovsky’s diaries “where he worries that if the Japanese visa doesn’t come through in time, they will miss the end of the exhibition” — probably Osaka’s thoroughly future-oriented Expo ’...
Andrei Tarkovsky’s “Solaris” (1972) andSteven Soderbergh’s “Solaris” (2002)Is Soderbergh’s “Solaris” a worthy representative, replacement or addition to Tarkovsky’s “Solaris” or is it just like Patterson describes it, unneeded like the replacement of the family dog? Is Tarkovsky’s...