After a literal cliffhanger that sees Grant struggling to save Saint from plummeting off the side of a mountain, Hitchcock jumps to the newlywed couple canoodling sweetly in the sleeper car of a train, before ending with a shot of a long locomotive entering a tunnel. Choo-choo, indeed. Why ...
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He’s an aging bigot at odds with the changing times and counterculture embraced by the younger generation. Through humor and sharp writing, All in the Family pushed the boundaries of what was deemed acceptable on TV for that time, exploring a host of controversial topics and social issues. ...
James Laxton shoots the film in a heavenly way, in contrast to the grit actually taking place on screen; deep cyan blues and saturated indigos bookmark chapters of the story, which concerns itself with manhood as young Chiron grows up, plating himself with new armor after every wound. The ...
Doesn’t this remind you of the scene from A Few Good Men where Tom Cruise is at the bar with Kevin Bacon and is at a loss for words and the only thing he can come up with is, “You’re a lousy f***g softball player, Jack!” Well this has that desperate feel. Where are thi...
The money was too short, and the band finally split up. Meanwhile, a manager heard a demo that Madonna had put together (it was an early version of “Burning Up”) and signed her up. As part of the deal, she was put on salary and moved out of the Music Building, ending up in ...
Of course it doesn’t help my self-esteem to be handed this challenge in light of Jesus’ words affirming the young man that repeated, “Love your God with all your heart, soul and mind and love your neighbor as yourself” as a summary of the scriptures, and telling him to go and do...
“Looks can be deceiving,” says Michael Madsen to Kurt Russell upon first introduction inThe Hateful Eight. No four words could be more appropriate to the moment, or to the movie, a sprawling film with an intimate core. More so than most marquee movies and tent poles claiming to be “epi...
After a literal cliffhanger that sees Grant struggling to save Saint from plummeting off the side of a mountain, Hitchcock jumps to the newlywed couple canoodling sweetly in the sleeper car of a train, before ending with a shot of a long locomotive entering a tunnel. Choo-choo, indeed. ...