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The film may bear little relation to Gerald Kersh’s far nastier (and more grimly believable) source novel, but Jules Dassin’s stark, unforgiving direction, Max Greene’s oppressive monochrome cinematography and Richard Widmark’s twitchy central performance gives the movie a paranoid power all ...
The seven stages are different in their own way. The first stage begins with a neon cityscape, and as mentioned, is quite tough due to having sub-bosses. It sets the tone well, with the ground battles making it feel as if you’re part of a larger war, not on a one man (well, w...
The film may bear little relation to Gerald Kersh’s far nastier (and more grimly believable) source novel, but Jules Dassin’s stark, unforgiving direction, Max Greene’s oppressive monochrome cinematography and Richard Widmark’s twitchy central performance gives the movie a paranoid power all ...