Taylor Swift on making her 10-minute version of 'All Too Well' and the accompanying short film starring Dylan O'Brien and Sadie Sink.
What she’s most excited about is the extended, 10-minute version of “All Too Well.”“I was going through a bit of sad time,” she recounted. So she worked it out on the guitar, playing the same four chords over and over, the band joined in and “I started ad-libbing what I ...
“13 Years Gone,” now played bySwift, attending a reading for her book titled “All Too Well,” finally sharing her story with eager fans ready to hear it. Swift did the same thing, showing both the short film and playing “All Too Well (Ten Minute Version)” at an AMC in New ...
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well. Cheaper ones tend to be too short and the ends become defenseless too soon, putting the guitar in danger of falling to the ground. You can invest a lot, but you don’t have to do it at first. They are strong and of adequate quality without being too expensive. I have some ...
come up with new ideas and sounds all the time. Although she has that jazz guitar-like tone, she is always finding ways to break expectations. She will turn her pick-ups down sound as is she is playing an acoustic guitar, playing chords in her own weird way and then work with some ...
The first half of this 12-minute track (on the 1965 live albumSmokin’ at the Blue Note) just may be the apex ofjazz guitar. Wes Montgomery goes off on a different melodic tangent every few bars, from single-note riffs to block chords to his trademark octaves; yet somehow the band alw...
Ten years afterA Different Kind of Truth, Wolfgang Van Halen told UCR he fought for "She's the Woman"to be the first singlereleased from the album. It's impossible to argue with his assessment. "Tattoo" arrived first instead, but it's Roth's yelp 12 seconds into the song that announc...
The album ends with “Desolation Row,” a swirling 11-minute surrealist night journey of indescribable power, a Hieronymus Bosch-like season in hell that, in retrospect, seems to foretell all the Sixties cataclysms to come. Not that Dylan wasn’t having fun all the while as well. The toy ...
("She's Always a Woman") or a doo-wop soul man ("The Longest Time"), trying out jazzy Scorcese-like streetlife serenades ("Zanzibar," "Stiletto"). His signature song, "Scenes from an Italian Restaurant," is an epic seven-minute tale of suburban dreams biting the dust down at the ...