疯狂的好 汤姆·哈雷尔: YouTube上的allthatjazzsamples | (汤姆·哈雷尔·汉堡10月24日,1988 | 0:15 0:48), 视频播放量 83、弹幕量 0、点赞数 0、投硬币枚数 0、收藏人数 0、转发人数 0, 视频作者 北马骞尧, 作者简介 ,相关视频:ប្រោសខ្ញុ
This movie is all about Napoleon Dynamite trying to live his best life, but he struggles to find a girlfriend and he's bullied. But that all could change for the better when befriends the new guy in school, Pedro. View full post on Youtube Watch Now Pariah Alike is growing up in ...
Dance + sexual awakening = this movie. Basically the polar opposite of Climax, this is just about the most gorgeous film ever about dance and romance and being yourself in a world that doesn’t accept you. Hustlers This content is imported from youTube. You may be able to find the sa...
took it to another level, saluting choreographer bob fosse’s slinky choreography for 1979’s all that jazz with this temperature-elevating, david fincher-directed clip. “i think more dancers injured themselves on this video shoot than any other,” abdul told rolling stone in 2014. “just a ...
Pentatonic scale has found its love in jazz, blues, and rock music from all over the world. And it spelled its charm again with Sheeran’s hit song, “Shape of You.” 5.See You Again – Wiz Khalifa ft. Charlie Puth (5.63 billion views on YouTube) ...
The main reason behind the success of “See You Again” is that it was selected as the theme song for the movie “Furious 7”. It was the most successful track for both Wiz Khalifa and Charlie Puth. See You Again song has held the record as a track which wasmost streamed in a sing...
Bruce Hornsby refuses to be counted among the pop stars trying on jazz for size. “I can see why someone may want to make an album that goes down easy and why a record company would want to put it out because it’s a quick way to make a sale,” says Hornsby, who makes his all...
1. ‘All That Jazz’ (Bob Fosse, 1979) Even though it preceded his death by eight years, ‘All That Jazz’ now seems a kind of self-eulogy for Bob Fosse. The prodigiously gifted multi-hyphenate, whose record-setting eight Tony Awards for choreography have yet to be matched, took on th...
As the tide of the 1960s began to recede, taking with it all that class-obsessed ee-by-’eck pub-jazz new wave chest-beating that had threatened to drag British cinema into some kind of socialist-modernist-industrial nightmare, the real realists were revealed, sitting quietly and waiting fo...
A bit of both, but the fact that its disaster movie mechanics are so believable, even when you know full well there’s a man inside that heavy monster suit (shout out to Katsumi Tezuka) is down to the stony-faced sincerity with which Ishiro Honda conducts his opera of destruction. He ...