难度:1级 E 此浏览器不支持画布 播放音频 原曲网址https://www.bilibili.com/video/av21061574 F G C Am 鼓动我 卷走我 烤面筋灌醉我 F G C Am 敞开我 轻捻我 烤面筋融化我 F G C Em Am 让你吃到正真的实惠 不一样的滋味 F G C 灌醉我 用面筋 灌醉 F G C Am 吃过没 尝过没 这香香的
What’s really interesting here, is that these are the actual chords that are played in this line of the song. The minor fall, the major lift This sequence continues with a “Minor fall” Honestly, I really don’t know what is so special about this chord sequence… ...
“Maurella” is another Roberts original, and it has the marks of the compositional direction he brought to his time in the Wynton Marsalis group on albums likeJ Mood: a series of suspended chords, taken so slowly in the head that it almost feels out of time, that ultimately fail to res...
Chord Progressions: MIDI files that contain sequences of chords, which can serve as the harmonic foundation for your tracks. Melodies: Pre-made melodic lines that you can use as hooks or themes in your music. Basslines: MIDI files with bass patterns that complement your chords and melodies. ...
The three extended compositions that compriseStructuresarise out of such quiescence; the loops and gentle melodic refrains spire upwards and suggest vistas. With just a few cycling elements and floating chords, "Reflections in Suspension" and "Quiet Friend" exude a peaceful calm, while the title ...
It can take a number of types: Conventional notation on 5-line musical staves Fight sheets using a tune composed on a 5-line team and chords composed with a letter-and-number-based notation Guitar tablature Bar-based MIDI notation (which […] Read more.. Best Acoustic Guitar Brands You ...
(plus the assistance of various Nine Inch Nails) that ultimately put teeth behind the album’s leering smirk. Driven by the throbbing swirl of tom-tom and hi-hat, the searing, feedback-tinged slash of power chords, and the ingenious use of movie dialogue (much of it from John Waters ...
“Were Thine That Special Face” falls somewhere in between, as Salvant’s Petruchio attempts but fails to woo his Kate. “I’ve Got Your Number” starts as a cool rebuff that breaks down Cy Coleman and Carolyn Leigh’s cocky narrator before proposing that the two join forces; it’s ...
“The Stranger Song,” first heard over the credits, is McCabe; the restless surge of its tremolo acoustic chords suggests a man doomed to drift, uncertain behind his bravado, his existential foundations shaky. “Sisters of Mercy,” despite its title nodding to a Catholic organization of nuns,...
Joey: Hey, Pheebs! Check-check this out. (Holds up his hand in one of Phoebe's chords.) Phoebe: Ooh, you nailed the Old Lady! (They both laugh at what she said.) Joey: Yeah listen so, I thought I was getting better, so on my way home today I stopped by this guitar store an...