I'm having quite a few problems with the VMS4 inside of Ableton, but the foremost problem is that fact that I have to have Live using a 48000hz sample rate to get the correct pitch on all of my tracks. The tracks themselves are 44.1 48000 is an unnecessa
Max for Live Device: border color follows Live theme Max for Live: fixed errors with floating point arguments like in sprintf Parameters: fixed crash when automating a parameter via another parameter Bugfixes: Fixed a bug where very short notes arriving from external MIDI controllers were not alwa...
Call & Response in an ensemble setting. A point of departure for Miles Davis and his bandmates in this live television performance of “So What” Black Music exists solely in the moment of performance. The music – whether written down or not – is a vehicle for the indivi...
“I think the approach with Live and with outboard for me is very similar now,” Sanger muses. “I use everything in a really experimental way, approaching the plugins like I would approach modules on a modular synth. As someone using Live since version one, before it had MIDI, it felt...
I personally felt like he had perfectly expressed an essential truth – a hunch that had been growing in the back of my mind for years that the unfakeable magic of a live performance was vitally important in the enjoyment of music. But it turns out it’s not just me and Rick: now ...
unfakeable magic of a live performance was vitally important in the enjoyment of music. But it turns out it’s not just me and Rick: now it also seems to be corroborated by scientific research by Harvard scientist Holger Hennig, published in theProceedings of the National Academy of Sciences...
“We live in the era of democratization of technology,” says Jaymie Silk. But this era started before AI came along. For decades, advances in technology have enabled more and more people to make music and share it with the world. It’s common to hear complaints that there is “too much...