Age and gender differences in time to collision at braking from the 100-car naturalistic driving study. Traffic Inj. Prev. 15 (suppl. 1), S15-S20.JADE M, KRISTOFER D, HAMTPON C. Age and gender differences in time to collision at braking from the 100-car nat- uralistic driving study[...
The purpose of this report was to conduct in-depth analyses of driver inattention using the driving data collected in the 100-Car Naturalistic Driving Study. An additional database of baseline epochs was reduced from the raw data and used in conjunction with the crash and near-crash data identi...
Using glance data collected in the 100-Car Naturalistic Driving Study (NDS), near-crashes were examined separately from crashes to examine how momentary differences in glance allocation over the 25-s prior to a precipitating event can differentiate between these two distinct outcomes. Individual glance...
Sand Valley is the fifth course that the firm of Coore and Crenshaw has designed for resort maven Mike Keiser, and the first not located close to an ocean. No matter. It’s still on a thousand acres of rolling sand hills in Central Wisconsin, and Coore and Crenshaw were given carte blan...
Beneath the Americanized naturalistic surface, the original nightmares still boil: Siegfried, Kriemhild, and the Dragon from the Die Nibelungen saga still materialize in the American films, only here they’re cops, molls, and kingpins. Fernando F. Croce 71. La Bête Humaine (Jean Renoir, 1938)...
Then, one night in July, driving around Portland, Oregon, shuttling another load of boxes between my mom's old house and her new assisted-living home, I found myself transfixed by an unfamiliar falsetto streaming from the speakers of my rental car, faltering and fumbling, a mirror of my ...
No one can sing the words "Italiana mobster looking so precious" with quite the naturalistic ease of Grimes; still, "I’m only a man, and I do what I can" might be her most subversive and quotable couplet ever. "Kill V. Maim" is Grimes as pure iconoclast. No one else in pop—...
name of Marilyn Monroe. Huston eschewed some of the genre’s flourishes for a more naturalistic approach, keeping musical cues to a bare minimum and detailing the procedural minutia of the break. The dialogue, peppered with slang, is both crackling and realistic. Story has it that MGM chief ...
The naturalistic hyper-reality they craft thrives on the weathered chemistry between the two stars. Their old-as-they-are relationship paves the way for improvisation prowess so organic its feels more like second nature than performance. More impressions, absolutely stunning vistas, Alanis Morissette...
The simple, sun-dappled tale of a guy who learns to stop driving in circles — and eventually even get out of his car —“Somewhere” hitches itself to a fading star named Johnny Marco (Stephen Dorff, weary and perfect in one of the decade’s most well-realized performances). He’s ...