It swooped in at number one on the BFI’s 1999 British cinema poll, but here, Carol Reed’s The Third Man’ will have to settle for second spot. But, hey: it’s still a masterpiece. The genius at the core of this superlative, bible-black Euro noir is the way it teases you into...
Portuguese collective Buraka Som Sistema play kuduro, an Angolan dance music creole built out of baile funk beats and abandoned rave motifs: a junkyard sound that builds up such steam you fear it might shake itself to bits. On this calling-card track M.I.A. acts the carny, yelling "All...
This crowd-pleasing dance track "Yes, I Know" fits perfectly with Snaith's mission. The producer draws something refreshing and new from the juiciest bits of Buddy Miles' 1971 screamer "The Segment", counteracting the comfort-food goodness of Miles' ripe horns and buttered croons with deep ...
Portuguese collective Buraka Som Sistema play kuduro, an Angolan dance music creole built out of baile funk beats and abandoned rave motifs: a junkyard sound that builds up such steam you fear it might shake itself to bits. On this calling-card track M.I.A. acts the carny, yelling "All...