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As I wrote here a couple of weeks ago, the evening before seeing L’Oeil nu I had been deeply impressed by performer choreographer Aurélien Dougé’s Aux Lointains. As I mentioned in m essay, by choreographing his place in it and fitting in, Dougé manages to show, and very elegantly,...
a white classmate whom I did not know, jumped into the pool and saved me. During this episode I could clearly see the white gym teacher standing at the edge impassively watching.[7] To this day I never knew the identity of my student rescuer. At this school there were very few cross-...