Roxy Music reformed in 2003 for a mini tour of USA and a one off show in Portugal. This tour coincided with the release of 'Roxy Music Live' a 22 song live double CD taken from 17 shows during the 2001 tour. In 2005 the band then announced they would play the Isle Of Wight festiva...
a cool sound that has become a cult classic Roxy Music's song. The second track "Oh Yeah" written by Bryan Ferry was one of the songs chosen to be released as a single and is a big hit of this album. It's the second single released from the album and hit the UK singles chart....
Stake my place in the singles bar在单身酒吧里找到一个位子 Face to face toe to toe面对着面,脚尖对着脚尖 Heart to heart as we hit the floor心贴着心,让我们跳起舞 Lumber up limbo down发出哒哒的声音 The locked embrace the stumble round紧紧拥抱,旋转跌倒 I say go she say yes我说走...
PKM:By the mid-Seventies, you said you were hanging at CBGB and Max’s. While you weren’t playing ‘punk’ music with Milk N Cookies, but you said you befriended groups like Blondie, The Ramones, Talking Heads. How did the live gig circuit differ from that of the late sixties? Sal ...
Coincidentally enough, two of the first three tracks on All Possible Futures were tabbed as singles, with “Real Slow” and “Love Like Mine” setting the stage for other dance-pop hits “Wild Motion (Set It Free)” and “Colours in the Sky” later on. That said, with 15 tracks and ...
32. Depeche Mode, 'Music for the Masses' (1987) Arriving six years after their first hit, “Just Can’t Get Enough,” Depeche Mode proved their deeper capabilities onMusic for the Masses. Here the band manages to get darker and more accessible all at the same time. “Never Let Me Down...
32. Depeche Mode, 'Music for the Masses' (1987) Arriving six years after their first hit, “Just Can’t Get Enough,” Depeche Mode proved their deeper capabilities onMusic for the Masses. Here the band manages to get darker and more accessible all at the same time. “Never Let Me Down...
32. Depeche Mode, 'Music for the Masses' (1987) Arriving six years after their first hit, “Just Can’t Get Enough,” Depeche Mode proved their deeper capabilities onMusic for the Masses. Here the band manages to get darker and more accessible all at the same time. “Never Let Me Down...
Staked my place in the singles bar Face to face, toe to toe Heart to heart as we hit the floor Lumbered up limbo down The locked embrace, stumble round I say go, she says yes Dim the lights you can guess the rest Oh, catch that buzz Love is the drug I'm thinking of Oh, can...
Late at night, I park my car, stake my place in the singles bar, Am G Em Face to face, toe to toe, heart to heart, as we hit the floor, Am C Em Lumber up, limbo down, the locked embrace, stumble 'round, Am I say, "Go!", she say, "Yes!" ...