I could easily be wrong here! But do you need to convert anything to 24fps, can't you just leave the whole thing (audio and video) at 25fps? AFAIK, DCP can handle 25fps perfectly well. G Unfortunately, not all systems can. But all can handle 24fps. ...
mangoboom Community Beginner , Jan 26, 2020 Copy link to clipboard I have just cut a feature length documentary at 25fps (shot in the UK) now for a DCP I need to supply at 24fps for film festivals. I've read about the need to pitch shift the auduo and that the film will be ...
As they are very expensive I am having to do the whole conform in Productions on my end, and they will only grade a ProRes 4444 timeline - the film is going into cinema distribution so they need to produce a DCP, so I am a bit nervous about the whole thing. There...
We're encoding media for digital cinema in the US, which functionally means extracting frames into TIFF from source media at 24fps for later conversion to jpeg2000 and DCP wrapping. Most source files are fractionals, so at some point or another there will be some frame doubling or ...
mangoboom Community Beginner , Jan 26, 2020 Copy link to clipboard I have just cut a feature length documentary at 25fps (shot in the UK) now for a DCP I need to supply at 24fps for film festivals. I've read about the need to pitch shift the auduo and that the film will be ...
As they are very expensive I am having to do the whole conform in Productions on my end, and they will only grade a ProRes 4444 timeline - the film is going into cinema distribution so they need to produce a DCP, so I am a bit nervous about the whole thing. Ther...
We're encoding media for digital cinema in the US, which functionally means extracting frames into TIFF from source media at 24fps for later conversion to jpeg2000 and DCP wrapping. Most source files are fractionals, so at some point or another there will be some frame doubling or d...